Weaving The Dream

It is daylily season.  

I’ve mentioned in previous posts that I have inherited close to fifty   different daylilies from my father as a result of the sale of my childhood home last fall.  He divided all his lilies so I had one of each kind, including and especially the ones he bred himself.

Daylilies are not really lilies.  They are hemerocallis from the Greek hemera (day) and kalos (beautiful).  Now, in mid-July, most of them are in bloom.  And my husband is entertained by my daily walks among these generous blossoms since I talk to them as I walk, complimenting each type on its beauty while I also remove the previous day’s dead blossoms. 

Even though many of the types put out numerous buds so that it seems they are in bloom for weeks, in fact each bloom only lasts one day.  All that effort, all that energy, poured into each bud, only for it to have one glorious day of bloom and color.  One glorious day to attract hummingbird and butterfly and bee for pollination and propagation. 

Last week, my husband, Bob, and I were in Austin, Texas for the wedding of his brother, Ted.  While out with his brother and siblings at a local nursery to buy a palm tree for the bridal couple’s wedding gift, Bob’s brother asked about an agave plant that had died in his front yard.   The nursery man in his sunglasses and cowboy hat nodded and asked, “Did it bloom?”  When the answer was yes, the nursery man told us that agave plants grow slowly, some for 15 years or more, gathering the nutrients they need to put forth blooms.  Then, once they bloom, usually with one blossom, and set seed, they die. Years of growth all to produce one tall bloom.

These plants remind me of the sand paintings done by the Navajo that are painstakingly created for ceremonial purposes and then destroyed at the end of the ceremony.  According to one source, the Navajo word for these sandpaintings means “the place where the gods come and go.”

Where the gods come and go.  Like the daylilies and the agave, the sandpaintings remind us that the Divine often resides in the act of creation as much, if not more so, than in the creation itself.  It is in the secret growth beneath the dark of soil and winter, in the determined reaching for the spring sun, and then the sudden glorious burst into summer bloom, that the mystery and celebration of Life, of creation is found.  The end result – the painting, the bloom, the plant are only temporary and make room for further creation.

We can get so focused on the end result – on the book, the play, the art exhibit, or the performance, that we often forget to give mindfulness, commitment, and value to the act of creating.  And in doing so, we can shut ourselves off from the transcendence of creation, from the experience of the Divine.

So when your published book seems light years away, when your stage performance is over before you know it, when the perfection of your creation is fleeting and then gone – remember the daylily and the agave. Give yourself to the moment of creation, where the gods come and go.

For several years in the spring, an area of unidentified plants sprouted and grew in our back yard.  They didn’t seem to blossom so, having no idea what they were, my husband cut them down with the first mowing of the yard.

But then, a couple of years ago, my husband and I went out to dinner at our small local restaurant.  The menu noted that it was ramps season and then listed several specials for the week featuring ramps.  I decided to give one of the dishes a try.

After the waitress set the artfully prepared plate before me, I looked at the leaves and said, “Bob, look!  Aren’t these the same leaves that are growing in our yard?”

After consuming the dish with its pungent, yet earthy taste, we came home and hurried to the back yard.  Yes, ramps were running riotous in our backyard!  Hurray!

What are ramps?  Wild leeks that grow in places like Quebec and West Virginia and here in New York. Some places hold festivals to celebrate this plant with its unusual flavor combination of onion and garlic. Ramps may be short for rampions, which are native to England and other parts of Europe, (though somewhat different there) and play a central role in the story of Rapunzel.

Remember?  It’s the theft of those rampions from the witch’s garden that forces Rapunzel’s parents to give her up to the witch where she is then imprisoned in a tower with no door.  And even the witch has to use Rapunzel’s long hair to get into the tower. In fact, the name Rapunzel supposedly derives from the Latin name for rampion, Rapunculus.

To me, the ramps definitely have their own kind of magic, growing wild in the spring, sending up those leaves with their red stems for several weeks and then seeming to disappear.  Because they grow wild, you have to look carefully to find them.  And, if you aren’t paying attention, you can miss them altogether and miss an earthily delightful addition to your diet.

Just as we can sometimes miss the seasoning and magic of the wild things that sprout up in our writing or other creative project.  We can be so focused on our vision for that book, or painting—how we imagine it should look—that we enthusiastically weed out and mow down anything that doesn’t seem to belong or, perhaps worse, we fail to recognize the freely offered wild and tasty things that spring up along the way.

Yet, sometimes, it is precisely those magical wild things that can add a flavorful seasoning and significance to our writing or creative project.

True, we don’t want to harvest them all.  If we did that there would be none for the next time.  Nor do we want to add so much of that wild seasoning that we overpower our work.  But a careful selection, a willingness to expand our creative diet and to experiment could result in an expressive dish that is uniquely ours.

Last night, my husband and I had grilled salmon, sweet potato fries, and ramps sautéed in butter.  Yummmm!

Yes, it’s spring.  Are you harvesting your creative rampions?

Just in time for Christmas…a winter wonderland!  The snow fell softly but steadily yesterday from late morning until early evening here in the foothills of New York’s Catskill Mountains—whisper-light snow, perfect for kicking with your feet or for diving into to make snow angels.

The steadily falling snow piled into billowy drifts.  Our six small pine trees that Bob draped with white bee lights two weekends ago, were now also frosted with soft white mounds, turning nature’s beauty into holiday magic.

In the dimly lit darkness, Bob used the snow blower to clear the driveway while our son, Jason, and I shoveled the walkways, the patio, the paths to the bird feeders and up the hill to the woods where the dog has his latrine.

I knew where to shovel because our dog, Duncan, had already plowed through, decking himself with snow on his back and snow balls on his legs in the process.  As I shoveled his path to make it easier for him and us, I thought about how winter forces us to define and recognize the paths we habitually travel—we most often use this door to go out, we walk this direction at this angle uphill, we go to this point and that place.

Winter snows discourage meandering outside—unless you have snowshoes or cross-country skis on.  So, we clear and shovel our habitual paths, and then follow them as long as the snow lasts.

Sort of like what we do with our lives—our creative lives especially.  Which is odd considering that our creative lives are where we should be meandering the most.

But having done the work to clear our creative paths by creating routines, connections, and habits, we can often fail to explore new opportunities, new relationships, new ideas because they require more work—in effect, more shoveling.  And heaven knows our muscles are still aching from the last effort at clearing paths.  And what is wrong with those old paths anyway?  After all, they are usually the shortest, fastest, and easiest ways to where we want to go.

Nothing, of course, is wrong with them, but what happens to some of the critical elements of creativity—discovery, growth and…well, fun—if we stay on the old paths?  We can’t kick up snow or throw ourselves into snow angels by staying on those paths.  Creativity demands exploration.  Life does too.

Maybe that is why Duncan politely sniffed the paths we carved for him and then loped off into the pristine snowscape of uncharted yard.
 

No, this is not the newest and latest excuse for failing to turn in a homework assignment.

Remember those daylilies I mentioned in last week’s post?  Those lovely daylilies, mostly from my father, that line the top of the wall of our front yard, and parallel the road?  Those lovely blooms of yellow, orange, burgundy, pink, and peach?

Well, I went out yesterday evening to walk the dog and almost that entire row of blossoms were gone!  Caput!  Vanished! 

I stood frozen in disbelief.  Wait a minute, I thought, they can’t be done blooming that fast.  I walked over and saw that my lovely legacy of lilies had been nipped in the bud—literally.  In fact, in some cases, the base of the chewed blooms still clung to the stem.

I must have looked like the walking example of stupefaction as I examined stem after stem.  Those darn deer, tired of eating the lush marsh grass and cattails that grow across the road, had decided it was time to sample the delicacies waving at them from our front yard.

I grudgingly coped with their demolition of our hostas in the back yard as the price for living in the country but this was truly an affront.  My lovely lilies!

Oh sure, I know that next year the daylilies will send up new blossoms and I will once again be treated to floral fireworks of color because daylilies are a tenacious and hardy bunch, but I feel ambushed and cheated of at least several more days of glorious color.  The remaining green fronds look as bereft as I feel.

Kind of how we can feel after someone—family member, friend, critic, or editor—has taken a bite out of our creative endeavors with criticism or dismissal.  All our glorious colorful creativity running riot, shouting out joy and life so expressively—a rainbow of color for all to see one minute, nothing but drooping green fronds the next.

And yet, if we can be like the daylilies, persistently sending out more sturdy creative roots into the soil of mind and soul, regardless of the snipping and nipping going on above ground, then, with time and season, our creativity, our creative ideas and expressions can burst colorfully forth again, with even more blossoms than before.

We just have to be as tenacious and determined as the daylilies.  And, as I did with the daylilies, using a little pest spray around us to discourage those deadly snackers wouldn’t hurt either!